#Game of thrones rpg text series

Of course, there's really no way we'll know for sure whether the game will be an enormous success or not. Almost like a grand, interactive piece of fan-fiction. Playing as characters not included in either the books or the television show will hopefully give us further insights into the Game of Thrones universe, and allow us to more fully experience the stories.

#Game of thrones rpg text series

One thing that's so fantastic about HBO's series is that we are given glimpses into the world of the Seven Kingdoms that the books do not show us, either through scenes that never occur in the books, or simply in the lovely visuals that HBO has crafted. There's of course no telling how the writing and acting and story itself will be, but at least judging by the trailers it actually looks really dramatic and well put together: Game of Thrones is a story-driven RPG rather than an open-world game. If every RPG simply opens the door and lets you play however you want, I can see how that open-endedness would grow stale rather quickly. One thing I've been thinking about lately is that while truly open-ended games such as Skyrim do give players a great deal of freedom in leveling their characters, there's also an advantage to games that give players some stricter guidelines. You can play as an archer or a hedge knight, for instance, and this will determine what weapons and armor are available and how your skill sets improve. While players are confined to two different characters - Mors, a member of the Night's Watch, and Allester, a red priest - players will be able to level these characters through different class options. The above video also mentions the leveling system. Players can play as a member of the Night's Watch or as a Red Priest The game's Jeor Mormont looks remarkably like James Cosmo's Lord Commander Mormont from the HBO series: Take this video of The Wall, for instance. The game appears to do a really good job at making you feel as though you're a part of the universe Martin and HBO have created. Since the series is an excellent adaptation of Martin's work, I think this is a great decision. Much of the game, however, appears to take place in darker settings:ДЄlong these lines, Cyanide has worked closely with HBO and its cast of actors to create a game that not only immerses you into the stories, but into the world the television show has so carefully created. This screenshot of King's Landing shows off some of the detail that's gone into the game,В includingВ detailed buildings and character design: Critiquing an un-released title is, by definition, an impossible task, and I want to not only walk that critique back, but point out several things about the upcoming title that make it look like it might actually be a pretty fantastic, innovative action-RPG.Д¬yanide has done a pretty incredible job not just at crafting an immersive digital vision of Westeros that mirrors the television series, they've also put together characters and NPCs that are at once realistic and look a great deal like their HBO counterparts. (Since writing the piece I discovered that Bigpoint is doing just that, developing a sandbox free-to-play MMO based on the books and show.)Д¬yanide's upcoming game didn't fit nicely into the mold I was working with about story-telling in video games, and I wrote a piece riffing off of Luke Plunkett's take on the game that, in retrospect, I think was very unfair both because A) neither I nor Luke have actually played the game and B) this is due to the fact that it isn't even out yet (it releases May 15th on PS3, Xbox 360, and PC.) I've also been playing Mount & Blade, a medieval sandbox title which seems well-suited to the Game of Thrones universe. Dark Souls on the other hand tells its story through only the most sparing dialogue, revealing its lore and its narrative through the gameplay itself. Skyrim is extremely heavy on dialogue, much of which I believe is too stilted and wooden, and which takes away from the open-world experience of the game. This sentiment was largely driven by my playing of two very different games recently: Skyrim and Dark Souls. I had been discussing the importance of sparse exposition in video games, and the problems with story-telling that many video games experienced.